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43 secs ago
The Croods: A New Age earned $2.7 million on Thanksgiving Day for a two-day total of $4.6
million as the domestic box office endures its worst holiday in modern history amid the
COVID-19 crisis.
Still, the film's performance is better than expected so far. Also, Universal was heartened to
see that ticket sales were up 27 percent from Wednesday to Thursday (movies usually dip
notably on Thanksgiving Day; last year Frozen 2 took in $15 million on Thursday, a 37
percent drop from Wednesday).
Overseas, Croods 2 debuted Thursday in China to $3 million.
From the Universal-owned DreamWorks Animation, Croods 2 is the first major studio film
to brave opening on the big screen amid the ongoing pandemic since Tenet.
Complicating matters for Croods 2, in recent days, hundreds of theaters that were able to
reopen this earlier fall have now been ordered to shut again because of a surge in COVID19 cases.
Thanksgiving is normally one of the most lucrative corridors of the year. Last year, Disney
and Pixar's Frozen 2 collected more than $100 over the long four-day weekend (Thursday
through Sunday). It finished the weekend with a domestic total of $288 after opening a
week earlier on Friday Nov. 22.
Universal is able to stay in the theatrical game because of landmark deal it has struck with
AMC Theatres and Cinemark Theatres that shatters the traditional theatrical window by
allowing Universal titles to go to premium VOD early.
Croods 2 will be available on PVOD in roughly three weeks, in time for Christmas.

The movie's voice cast sees the return of Nicolas Cage, Emma Stone, Ryan Reynolds,
Catherine Keener, Clark Duke and Cloris Leachman. Franchise newcomers include Peter
Dinklage, Leslie Mann and Kelly Marie Tran.
Joel Crawford helmed the sequel in his feature directorial debut from a screenplay by Dan
Hageman, Kevin Hageman, Paul Fisher and Bob Logan.
Kelly Marie Tran is killing the game, per usual. The star of unequivocal masterpiece Star
Wars: The Last Jedi can currently be heard reprising her role of Rose Tico in LEGO Star
Wars Holiday Special on Disney+ and later this week can be heard in The Croods: A New
Age, the surprisingly wonderful sequel to DreamWorks Animation’s 2013 original. In the
film she plays Dawn Betterman, a more advanced human who finds the joy in connecting
with her inner caveman. (She’s a total hoot.) And if that wasn’t enough, she’ll join Disney
royalty in next spring’s animated Raya and the Last Dragon. Not too shabby.
We were overjoyed to get to talk to Tran about what her recent immersion in animation
has been like, her favorite Star Wars fan interaction (spoiler: it’s not the kind of story you’ll
expect), and how badly she wants to go to a seafood buffet with your Croods costar Nicolas
Cage (when it is safe to do so, of course).
Collider: You've done a lot of animated stuff recently.
KELLY MARIE TRAN: Random, right?
As a performer, what the appeal of these projects?
TRAN: It's almost like being a kid again, if that makes sense. It's also not tied to... This is
going to sound so weird and actor-y. But because it's not tied to your face and I don't have
to worry about what I'm doing, I can physically be jumping up and down while I'm voicing
a character and it doesn't seem strange. I guess having the ability to just completely be
unrestrained is very exciting to me.
But then do you watch some of the things and see those movements in the character? Was
there anything like that on Croods 2 where you did a facial expression and then it wound
up in the movie?
TRAN: Oh, yeah. Yeah, absolutely. Absolutely. And Croods 2, specifically, has been such a
joy to work on because Joel [Crawford], who directed it, we just had the best time just
improvising. Honestly, it got really weird, and I think that's good. In some of those
sessions…

How did it get weird?
TRAN: Yeah. In some of those sessions... Did you get a chance to watch it?
Yes.
TRAN: Okay, great. The whole thing with Dawn sort of going into this really intense, I don't
want to say bro-y because I don't think it's the right word, but almost like intense wrestler
voice was just from improvising and us having fun. And the scenes where she's under the
influence of a bee sting, ha-ha, those scenes are just... It just was so much fun to find this
character doing these things and just to be completely, again, unrestrained and just not... I
guess, any time you can feel like you're in that mode of play without feeling judged is a
really special thing, and I find that is particularly true with a lot of the animation stuff I've
been able to do. I just feel this freedom, which I think I'm chasing at the moment.
You started obviously in sort of improv and sketch comedy. Do you feel yourself tapping
into that same well for these things?
TRAN: Oh, yeah. Totally. And I think that's another thing that has made it such a joy, and
especially during COVID. I miss doing improv shows in random indie theaters in LA. I just
miss doing weird comedy. I think that doing voiceover has really sort of tapped into that
part of me and it's brought me a lot of joy.
Were you a fan the first Croods? Did you know the world immediately when they came to
you with the sequel?
TRAN: Yeah. And also, when you audition for something, you get an audition notice, and
then you look at something and you're like, "Oh, I know what this is." And I feel the same
way about all the properties I've done when it comes to this kind of stuff, Star Wars stuff,
all of it. You get an audition and you look at it and you don't think to yourself that you're
actually going to get it. Do you know what I mean?
You think, "Oh, I know this world. This is awesome. This is going to be so much fun," and
you just go in as an actor, you do the best work you can, you just leave it at the door. I used
to do this thing before I was auditioning for things that were a secret that I couldn't even
get the sides to. But I used to do this thing in auditions where I would just take the sides
that I had for the audition and just toss them afterwards and just have this weird, okay, I
had my fun in the room and I don't try to judge my fun based on whether or not I get a part,
if that makes sense. I try to make the reward what happens in the room.


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